Bringing music, video and social media to book publishing..

Alex Knapp at Forbes asks: Are Apps the Future of Book Publishing?

One of the things about the e-book market right now is that there are a variety of experiences. Perhaps the type of e-book app that will seem most familiar to people would be something along the lines of Penguin’s Amplified Edition of Ayn Rand’s novel Atlas Shrugged. This edition, which is purchased as an iPad app, features things like actual manuscript pages, the ability to share quotes on social media, and audio clips of Ayn Rand on various topics. These materials function similarly to the extras section on a DVD – they’re not integrated in the story, but they’re something that might be of great interest to people who are or become fans of the book.

Increasingly common, though, is bringing about a more interactive experience. For example, The Gift, which was published earlier this year by Persian Cat Press, is reminiscent of an illustrated children’s book. However, it’s not only narrated, but the reader has to interact with various parts of the book to move the story forward. In this case, the enhanced aspects of the book are an integral part of the story. (This one is a particular favorite of my toddler son.)

Perhaps the most wildly divergent book app I’ve encountered so far is Chopsticks, which is another Penguin book, but one that’s vastly different than their amplified editions. It’s described as a novel, but it’s vastly different than a traditional novel. As you turn the pages, you aren’t confronted with a traditional narrative, but rather interact with different pieces of the lives of Glory, a teen piano player, and the boy who moves in next door. The story’s told through newspaper clippings, pictures, songs, and more. It’s a rather fascinating way to tell a story.

More…

Prison memoirs of a peeved pussycat

Upon receiving notification that my rations would be changed from Fancy Feast to Friskies, I knew what had to be done. My prison was impregnable, my previous attempts to escape, disastrous. This was in spite of the exceptional opportunity to escape in the fog of early morning as the newspaper was brought in. The guard “Marta” and the presence of the summoned constables precluded my success.

I can forgive the humiliation of my failed attempt at freedom, but I cannot forgive the Daily News for calling me a ‘peeved pussycat’. Reporters, you have not heard the last from me. I will gain my freedom and my revenge, or I will meet you in Valhalla!

(Inspired by the Dog/Cat diary & George Takei)

Should we stay in Afghanistan?

Journalist Trudy Rubin believes that if we withdraw our troops from Afghanistan, we will show that we’re not committed to rights of Afghan women.

Marc Thiessen at the Enterprise Blog believes that if we retreat from Afghanistan, al Qaeda will follow us home.

We probably could have improved the lives of women in Afghanistan and disempowered al Qaeda if we’d dismantled the infrastructure that supports Sunni/Islamist terrorism in the area; that infrastructure includes the occasional allies of al Qaeda in the Pakistani government; al Qaeda’s good friends within the Pakistani Intelligence Agency; sympathizers in the Afghan government; mafia/terrorist/drug dealing groups like the Haqqani network, wealthy, well-connected financial supporters and government leaders in Saudi Arabia, the UAE, Kuwait and Qatar.

But we didn’t dismantle that infrastructure, we worked with it and gave it more money and legitimacy in our efforts to supposedly fight the terrorism it supports. Our efforts were like fixing a rotten shed by painting over the mold and water damage. Whatever good effects we’ve had will be always be temporary because we never really fixed the problem.

Staying longer would be the equivalent of applying more coats of paint. American soldiers are risking and losing their lives in this halfhearted effort. That has to stop.

How to be creative

A Mashable Q&A with Jonah Lehrer, Author of Imagine:

Why doesn’t brainstorming work? What should we do instead?

I think the failure of brainstorming is inseparable from its allure, which is that it makes us feel good about ourselves. A group of people are put together in a room and told to free-associate, with no criticism allowed. (The assumption is that the imagination is meek and shy — if it’s worried about being criticized, it will clam up.) Before long, the whiteboard is filled with ideas. Everybody has contributed; nobody has been criticized. Alas, the evidence suggests that the overwhelming majority of these free-associations are superficial and that most brainstorming sessions actually inhibit the productivity of the group. We become less than the sum of our parts.

However, in recent years, scientists have shown that group collaborations benefit from debate and dissent; it is the human friction that makes the sparks. (There’s a reason why Steve Jobs always insisted that new ideas required “brutal honesty.”) In fact, some studies suggest that encouraging debate and dissent can lead to a 40% increase in useful new ideas from the group.

Why does failure seem to be such an important part of innovation?

Because innovation is hard. If it were easy to invent an idea, that idea would already exist. Creative success is not about the avoidance of failure. It’s about failing as fast as possible, going through endless iterations until the idea is perfect.

What about Silicon Valley’s creativity and innovation allowed it to overtake Route 128 as the tech center of America in the latter half of the last decade?

It’s a really interesting comparison, because if you time travel back to the 1960s, you never would have guessed that Silicon Valley would become the tech center of the world. (It was still mostly walnut and apricot farms.) Those Boston suburbs, meanwhile, were dense with engineering talent and technology firms. By 1970, the area bounded by Route 128 included six of the ten largest technology firms in the world, such as Digital Computer and Raytheon. The “Massachusetts Miracle” was underway.

So what happened? The downfall of the Boston tech sector was caused by the very same features that, at least initially, seemed like such advantages…

Followed by an interesting comment from reader Jason Thibeault:

Great interview and looking forward to reading the book. Being a self-professed creative guy (entrepreneur, author, photographer, and definitely a day-time dreamer) I have found that my creativity has expanded over the years with the more information I consume. News, stories, videos, etc. I read constantly. Everything from physics to philosophy to religious texts (even though I am not). Most importantly, books that I wouldn’t normally read about subjects with which I have no affinity. As I’ve done this throughout the years, I’ve come to postulate that creativity is an outgrowth of pattern recognition and the more information you feed a system that’s good at identifying/forming patterns (which the brain really is built to do; it’s why we stereotype and categorize) the more opportunities for patterns you get. When left to its own devices, the brain will constantly try and make “sense” of all the information it gets through all sensory inputs. I know there has been neuroscience research into synaptic strengthening( and even production) based upon pattern recognition. In short, the creative mind lives constantly in a state of chaos with patterns bubbling up (or expressly looked for).

“I’m watching” said his deceased friend..

Yahoo news headlined this story today:

Emails from dead man’s account helping family and friends find closure

When Jack Froese, 32, died of a heart arrhythmia in June 2011, he left behind a number of grieving friends and family members. But the BBC reports that several mysterious posthumous emails from Froese’s account have brought some happiness and closure to those who were closest to him.

Last November, five months after Froese’s death, his childhood best friend Tim Hart received an email from Froese’s account.

“One night in November, I was sitting on my couch, going through my emails on my phone and it popped up, ‘sender: Jack Froese.’ I turned ghost white when I read it,” Hart told the BBC. “It was very quick and short but to a point that only Jack and I could relate on.”

The email had the subject heading, “I’m Watching.” While the text of the message itself read, “Did you hear me? I’m at your house. Clean your f***ing attic!!!”

Hart says that shortly before Froese’s death, the two had a private conversation in Hart’s attic, during which Froese teased him over the attic’s messy state. “Just he and I up there. That’s it,” Hart said.

Froese’s cousin Jimmy McGraw also claims to have received a posthumous email from Froese, warning him about an ankle injury that occurred after his cousin’s death.

“I’d like to say Jack sent it, just because I look at it as he’s gone, but he’s still trying to connect with me. Trying to tell me to move along, to feel better,” McGraw said.

For now, the source of the emails remains a mystery.

It’s nice that Froese’s family and friends are comforted and not too unsettle by these messages. The Yahoo article also had a helpful link to  Dead Man’s Switch, which lets you write email drafts that will be sent to a group of preselected recipients after your death.

And then there was a link to the Digital Beyond  which, unlike Froese’s story, had a video that took me directly from comfort and mystery to the creepiest depths of the uncanny valley with this video of a conference with the humanoid robot named Bina 48.

I don’t know if the creepiness came from the fact that the video was featured on Digital Beyond, a site devoted to the idea of Memento Mori (remember your mortality), or if it was Bina48′s resemblance to a Victorian Memento Mori photograph, but it made me more than uneasy…